Artistic and Aesthetic Features in Modern Short Stories

N.A.

Article Details

Artistic and Aesthetic Features in Modern Short Stories

Authors:

N.A.

Publisher:

Hakan YILMAZ

Main Topics:

Dünya Dilleri | Edebiyatı ve Kültürü (Diğer)

Journal:

Akademik Tarih ve Düşünce Dergisi Vol.11 Issue 2, pp.1288-1298

Document Type:

Article

Publication Date:

7/2024

Document Language:

Turkish

Document ID (Org No.):

2001315218

pISSN:

2148-2292

Keywords:

Abstract:

 This paper delves into the artistic-aesthetic dimensions present in three contemporary narratives: My Fathers Hands by Sardar Amin, The Bitten apple by Atagam, and The Silence of the Bees by Sharif Agh. It elucidates how these stories embody the artistic-aesthetic ideal while underscoring the intrinsic connection between aesthetic expression and the socio-political milieu. Furthermore, it posits that the authors portrayal of reality inherently reflects ethical-aesthetic intentions. Sardar Amins narrative places the moral-aesthetic quandary at the forefront, emanating from the national-moral framework characteristic of an oriental writer. Sharif Agh elucidates rape as a manifestation of wartime aggression, categorizing it as an archetype of aesthetic repugnance. This portrayal suggests that warfare itself embodies elements akin to rape. Atagam presents a distinct artistic and aesthetic narrative, delineating contrasting worldviews within the story. The authors withdrawal from the characters, adoption of a language reflective of the storys environment, and adherence to existing aesthetics augment the narratives allure.

 This paper delves into the artistic-aesthetic dimensions present in three contemporary narratives: My Fathers Hands by Sardar Amin, The Bitten apple by Atagam, and The Silence of the Bees by Sharif Agh. It elucidates how these stories embody the artistic-aesthetic ideal while underscoring the intrinsic connection between aesthetic expression and the socio-political milieu. Furthermore, it posits that the authors portrayal of reality inherently reflects ethical-aesthetic intentions. Sardar Amins narrative places the moral-aesthetic quandary at the forefront, emanating from the national-moral framework characteristic of an oriental writer. Sharif Agh elucidates rape as a manifestation of wartime aggression, categorizing it as an archetype of aesthetic repugnance. This portrayal suggests that warfare itself embodies elements akin to rape. Atagam presents a distinct artistic and aesthetic narrative, delineating contrasting worldviews within the story. The authors withdrawal from the characters, adoption of a language reflective of the storys environment, and adherence to existing aesthetics augment the narratives allure.

 This paper delves into the artistic-aesthetic dimensions present in three contemporary narratives: My Fathers Hands by Sardar Amin, The Bitten apple by Atagam, and The Silence of the Bees by Sharif Agh. It elucidates how these stories embody the artistic-aesthetic ideal while underscoring the intrinsic connection between aesthetic expression and the socio-political milieu. Furthermore, it posits that the authors portrayal of reality inherently reflects ethical-aesthetic intentions. Sardar Amins narrative places the moral-aesthetic quandary at the forefront, emanating from the national-moral framework characteristic of an oriental writer. Sharif Agh elucidates rape as a manifestation of wartime aggression, categorizing it as an archetype of aesthetic repugnance. This portrayal suggests that warfare itself embodies elements akin to rape. Atagam presents a distinct artistic and aesthetic narrative, delineating contrasting worldviews within the story. The authors withdrawal from the characters, adoption of a language reflective of the storys environment, and adherence to existing aesthetics augment the narratives allure.

 This paper delves into the artistic-aesthetic dimensions present in three contemporary narratives: My Fathers Hands by Sardar Amin, The Bitten apple by Atagam, and The Silence of the Bees by Sharif Agh. It elucidates how these stories embody the artistic-aesthetic ideal while underscoring the intrinsic connection between aesthetic expression and the socio-political milieu. Furthermore, it posits that the authors portrayal of reality inherently reflects ethical-aesthetic intentions. Sardar Amins narrative places the moral-aesthetic quandary at the forefront, emanating from the national-moral framework characteristic of an oriental writer. Sharif Agh elucidates rape as a manifestation of wartime aggression, categorizing it as an archetype of aesthetic repugnance. This portrayal suggests that warfare itself embodies elements akin to rape. Atagam presents a distinct artistic and aesthetic narrative, delineating contrasting worldviews within the story. The authors withdrawal from the characters, adoption of a language reflective of the storys environment, and adherence to existing aesthetics augment the narratives allure.

Article Details

Artistic and Aesthetic Features in Modern Short Stories

Authors:

N.A.

Publisher:

Hakan YILMAZ

Main Topics:

Dünya Dilleri | Edebiyatı ve Kültürü (Diğer)

Journal:

Akademik Tarih ve Düşünce Dergisi Vol.11 Issue 2, pp.1288-1298

Document Type:

Article

Publication Date:

7/2024

Document Language:

Turkish

Document ID (Org No.):

2001315218

pISSN:

2148-2292

modernity

aesthetic ideal

context

aesthetic culture

social and political environment

structure

artistic and aestheticmodernity

aesthetic ideal

context

aesthetic culture

social and political environment

structure

artistic and aesthetic

Issues

Article Details

Authors: N.A.

Publisher: Hakan YILMAZ

Main Topics: Dünya Dilleri | Edebiyatı ve Kültürü (Diğer)

Journal: Akademik Tarih ve Düşünce Dergisi Vol.11 Issue 2, pp.1288-1298

Document Type: Article

Publication Date: 7/2024

Document Language: Turkish

Document ID (Org No.): 2001315218

pISSN: 2148-2292

Issues

Authors:

N.A.

Publisher:

Hakan YILMAZ

Main Topics:

Dünya Dilleri | Edebiyatı ve Kültürü (Diğer)

Journal:

Akademik Tarih ve Düşünce Dergisi Vol.11 Issue 2, pp.1288-1298

Document Type:

Article

Publication Date:

7/2024

Document Language:

Turkish

Document ID (Org No.):

2001315218

pISSN:

2148-2292