الملتقى عند عبد الله الطيب في كتابه المرشد إلى فهم أشعار العرب وصناعتها = The Receiver in Abdullah Altayeb's Book The Guide to Understanding and Metier of Arab Poetry

محمد موسى البلولة الزين

doi:10.12816/0043884

Article Details

الملتقى عند عبد الله الطيب في كتابه المرشد إلى فهم أشعار العرب وصناعتها = The Receiver in Abdullah Altayeb's Book The Guide to Understanding and Metier of Arab Poetry

Authors:

محمد موسى البلولة الزين

Publisher:

Al-Quds Open University

Main Topics:

Afro-Asiatic literatures; Semitic

Journal:

Journal of Al-Quds Open University 2017 Issue 42 Part 1, pp.61-73

Document Type:

Article

Publication Date:

11/2017

Document Language:

Arabic

Document ID (Org No.):

111368

Frequency:

Tri-Annual

pISSN:

20745648

DOI:

10.12816/0043884

Descriptors:

Keywords:

Abstract:

 يُعَدُّ المتَلَقِّي مِنَ العَنَاصِرِ الرَّئِيسَةِ المكَوِّنَةِ لِجَمَالِيَّةِ التَّلَقِّي، الَّتِي أَكَّدَتْهَا نَظَرِيَّةُ التَّلَقِّي الَّتِي شَاعَتْ فِي الحَرَكَةِ الأَدَبِيَّةِ، وَالنَّقْدِيَّةِ الغَربِيَّةِ فِي العَصْرِ الحَدِيثِ، ثُمَّ انتقَلَ الاهْتِمَامُ بِالمتَلَقِّي لَاحِقاً إِلَى النَّقْدِ الأَدَبِيِّ الْعَرَبي؛ بِسَبَبِ الاحتِكَاكِ الثَّقَافِي وَالتَّرْجَمَةِ، وَقَدْ عنِي بِهِ الدَّارِسُونَ العَرَبُ، وَشغلَ اهْتِمَامَهُم فِي العَصْرِ الحَدِيثِ؛ لِإثرَاءِ نَتَاجَاتِهم النَّقْدِيَّةِ، وَلِإِكْسَابِهَا صِفَةَ الموَاكَبَةِ، وَالنُّهُوض بِالحَركَةِ النَّقَدِيَّةِ الْعَرَبِيَّةِ نَحْوَ العَالَمِيَّةِ، حَيْثُ يَسْتَعِيدُونَ قِرَاءَةَ التُّرَاثِ النَّقْدِي مِن خِلَالِ الدِّرَاسَاتِ التَّطْبِيقِيَّةِ، الَّتِي تَقُومُ عَلَى النَّظَرِيَّاتِ وَالمصْطَلَحَاتِ النَّقَدِيَّةِ الحَدَاثِيَّةِ. وَتَهْدفُ هَذِهِ الدِّرَاسَةُ إِلَى اسْتِقْصَاءِ حُضُورِ المتَلَقِّي، عِنْدَ عَبْد الله الطَّيِّب فِي كِتَابِهِ (المرْشِد إِلَى فَهْمِ أَشْعَارِ الْعَرَبِ وَصنَاعَتِهَا)، وَالْكَشْفِ عَنْ أَهَمِيَّتِهِ وَدَوْرِهِ وَنَوْعِهِ وَمَوْقِعِهِ فِي الْعَمَلِ الْأَدَبِي خِلَالَ عَمَلِيَّةِ الْإِبْدَاعِ وَجَمَالِيَّاتِ التَّلَقِّي. وَبَعْدَ التَّعْرِيفِ المخْتَصَرِ بِالمتَلَقِّي وَأَنْوَاعِهِ خِلَالَ نَظَرِيَّةِ التَّلَقِّي الْغَرْبِيَّةِ، أَصَّلْنَا لِلْمُتَلَقِّي بِنَمَاذِجَ مِنْ صُوَرِهِ فِي التُّرَاثِ النَّقْدِي الْعَرَبِي، ثُمَّ قُمْنَا بِدِرَاسَتِهِ عِنْدَ عبد الله الطَّيِّب فِي كِتَابِهِ (المرْشِد)، بَعْدَ أَنْ قَدَّمْنَا نَبْذَةً قَصِيرَةً عَنْ عَبْد الله الطَّيِّبِ، وَقَدْ أَوْصَلَتْنَا هَذِهِ الدِّرَاسَةُ إِلَى أَنَّ عَبْد الله الطَّيِّب، كَانَ يَنْظُرُ إِلَى عَمَلِيَّةِ الإِبْدَاعِ وَجَمَالِيَّةِ التَّلَقِّي، نَظْرَةً تَكَامُلِيَّةً تَجْمَعُ مَا بَيْنَ عَنَاصِرِهمَا :(المؤَلِّف، وَالنَّص، وَالمتَلَقِّي) فِي الْعَمَلِ الْأَدَبِي، فَلَا يُوْجَدُ نُزُوعٌ سِيَاقِيٌّ تَقْلِيدِيٌّ، أَوْ مَوْتٌ لِلْمُؤَلِّفِ، أَوْ سُلْطَةٌ مُطْلَقَةٌ لِلْمُتَلَقِّي فِي التَّأْوِيلِ.

 The receiver is considered as one of the main components of the aesthetics of reception. That is confirmed by the reception theory which was common in the western literary and critique movement in the modern era. Later, the concern of the receiver was passed to the Arabic critique because of the cultural contact and translation. Arab researchers were interested in the term in the modern era so as to enrich their critique works, to keep them updated, and to promote the Arabic critical movement towards internationality. That will be by perusing the critical heritage through the empirical studies that are based on the modern theories and modern critical terms.This study aims to investigate the presence of the receiver in Abdullah Attayb's book ( The Guide to Fathom the Arabic Poetry and How They Weave it). It aims also to disclose the receiver's importance, role, type, and location in the literary work through the creativeness process and reception aesthetics. After the brief definition of the receiver and its types, through the western reception theory, the researcher establishes the origin of the receiver by giving examples for it in the Arabic critical heritage. Then he studies it in Abdullah Attayb's book ( The Guide to Fathom the Arabic Poetry and How They Weave it). Thus, the study has brought us to the following: that Abdullah Attayb had seen the creativeness process and the reception aesthetics as an integrative view that combines it components ( the author, the text, and the receiver) in the literary work. There is no traditional contextual tendency, no author death, neither an absolute authority for the receiver in the interpretation.The opening words: The receiver, the reader, the listener, interpretation, integrative.

Article Details

الملتقى عند عبد الله الطيب في كتابه المرشد إلى فهم أشعار العرب وصناعتها = The Receiver in Abdullah Altayeb's Book The Guide to Understanding and Metier of Arab Poetry

Authors:

محمد موسى البلولة الزين

Publisher:

Al-Quds Open University

Main Topics:

Afro-Asiatic literatures; Semitic

Journal:

Journal of Al-Quds Open University 2017 Issue 42 Part 1, pp.61-73

Document Type:

Article

Publication Date:

11/2017

Document Language:

Arabic

Document ID (Org No.):

111368

Frequency:

Tri-Annual

pISSN:

20745648

DOI:

10.12816/0043884

Descriptors:

LITERARY CRITICISM

LITERARY ANALYSIS

LITERARY STYLE

ARAB POETS

ARABIC POETRY

الملتقى

القارئ

السامع

التأويل

تكاملية

The Opening Words

The Receiver

The Reader

The Listener

Interpretation

Integrative

Issues

Article Details

Authors: محمد موسى البلولة الزين

Publisher: Al-Quds Open University

Main Topics: Afro-Asiatic literatures; Semitic

Journal: Journal of Al-Quds Open University 2017 Issue 42 Part 1, pp.61-73

Document Type: Article

Publication Date: 11/2017

Document Language: Arabic

Document ID (Org No.): 111368

Frequency: Tri-Annual

pISSN: 20745648

DOI: 10.12816/0043884

Descriptors:

Issues

Authors:

محمد موسى البلولة الزين

Publisher:

Al-Quds Open University

Main Topics:

Afro-Asiatic literatures; Semitic

Journal:

Journal of Al-Quds Open University 2017 Issue 42 Part 1, pp.61-73

Document Type:

Article

Publication Date:

11/2017

Document Language:

Arabic

Document ID (Org No.):

111368

Frequency:

Tri-Annual

pISSN:

20745648

DOI:

10.12816/0043884