Living Dionysus Antep Bacchus

Ahmet Beyazlar

Article Details

Living Dionysus Antep Bacchus

Authors:

Ahmet Beyazlar

Publisher:

Gaziantep University

Main Topics:

Arkeoloji Bilimi

Journal:

Gaziantep Üniversitesi Ayıntab Araştırmaları Dergisi Vol.8 Issue 1, pp.1-22

Document Type:

Article

Publication Date:

6/2025

Document Language:

Turkish

Document ID (Org No.):

2001339314

pISSN:

2667-6257

Keywords:

Abstract:

 The search for existence and existence, beliefs, mythology, art and religion; is the basic reality that finds its counterpart in human emotions and actions. This reality, which includes the abstract and the concrete, gains existence according to everyones needs. The formation of the solar system, the world and man, how to live, is expressed by each society according to its own level and needs, and reflected in language and its indicator, art. Mythology was written in the Sumerian language, which is a dead language, in 3000 BC. The book written by Hesiod in Anatolia 2800 years ago has survived to the present day. The belief that there must be a God and that God must be in our lives, the so-called pagan period, the conceptualization of that power by attributing a power to events and beings in nature and positioning it outside of being, institutionalization as a heavenly religion, is the reflection of the human belief process in nature and in the human mind. The Anatolian people, with their own feelings and intuition, realized that there was a power that gave life to this being and named it god dio-div, loved it and devoted themselves to it. This belief and naming is for those who are not slaves and who earn their bread with their spouses; It is the language of the action of the Anatolian people who brought animals and trees out of the soil. In the mythology where Dumuzzi is narrated in the Epic of Gilgamesh, while the actions in the transition phase from shepherding to agriculture are narrated, it is stated that people are given the character of god according to their power and the order of superiority and usefulness they create, and Dionysus in Greek Mythology has a similar function as a god. When researched, it is read as the external reflection of creative energy under both and the cultural reflection of this reflection in different societies. In todays world of belief, the creative search process continues through the channels of religious institutions formed or individually, and it is seen that every religion has a god, and in this context, the social beliefs of individuals are shaped and kept under control. Our aim is to show the unity of thought as a creative power and its diversity in life.

 The search for existence and existence, beliefs, mythology, art and religion; is the basic reality that finds its counterpart in human emotions and actions. This reality, which includes the abstract and the concrete, gains existence according to everyones needs. The formation of the solar system, the world and man, how to live, is expressed by each society according to its own level and needs, and reflected in language and its indicator, art. Mythology was written in the Sumerian language, which is a dead language, in 3000 BC. The book written by Hesiod in Anatolia 2800 years ago has survived to the present day. The belief that there must be a God and that God must be in our lives, the so-called pagan period, the conceptualization of that power by attributing a power to events and beings in nature and positioning it outside of being, institutionalization as a heavenly religion, is the reflection of the human belief process in nature and in the human mind. The Anatolian people, with their own feelings and intuition, realized that there was a power that gave life to this being and named it god dio-div, loved it and devoted themselves to it. This belief and naming is for those who are not slaves and who earn their bread with their spouses; It is the language of the action of the Anatolian people who brought animals and trees out of the soil. In the mythology where Dumuzzi is narrated in the Epic of Gilgamesh, while the actions in the transition phase from shepherding to agriculture are narrated, it is stated that people are given the character of god according to their power and the order of superiority and usefulness they create, and Dionysus in Greek Mythology has a similar function as a god. When researched, it is read as the external reflection of creative energy under both and the cultural reflection of this reflection in different societies. In todays world of belief, the creative search process continues through the channels of religious institutions formed or individually, and it is seen that every religion has a god, and in this context, the social beliefs of individuals are shaped and kept under control. Our aim is to show the unity of thought as a creative power and its diversity in life.

 The search for existence and existence, beliefs, mythology, art and religion; is the basic reality that finds its counterpart in human emotions and actions. This reality, which includes the abstract and the concrete, gains existence according to everyones needs. The formation of the solar system, the world and man, how to live, is expressed by each society according to its own level and needs, and reflected in language and its indicator, art. Mythology was written in the Sumerian language, which is a dead language, in 3000 BC. The book written by Hesiod in Anatolia 2800 years ago has survived to the present day. The belief that there must be a God and that God must be in our lives, the so-called pagan period, the conceptualization of that power by attributing a power to events and beings in nature and positioning it outside of being, institutionalization as a heavenly religion, is the reflection of the human belief process in nature and in the human mind. The Anatolian people, with their own feelings and intuition, realized that there was a power that gave life to this being and named it god dio-div, loved it and devoted themselves to it. This belief and naming is for those who are not slaves and who earn their bread with their spouses; It is the language of the action of the Anatolian people who brought animals and trees out of the soil. In the mythology where Dumuzzi is narrated in the Epic of Gilgamesh, while the actions in the transition phase from shepherding to agriculture are narrated, it is stated that people are given the character of god according to their power and the order of superiority and usefulness they create, and Dionysus in Greek Mythology has a similar function as a god. When researched, it is read as the external reflection of creative energy under both and the cultural reflection of this reflection in different societies. In todays world of belief, the creative search process continues through the channels of religious institutions formed or individually, and it is seen that every religion has a god, and in this context, the social beliefs of individuals are shaped and kept under control. Our aim is to show the unity of thought as a creative power and its diversity in life.

 Varlığa ve varoluşa sahip arama, inançlar, mitoloji, sanat ve din; karşılığını insan duyguları ile eylemlerinde bulan temel gerçekliktir. Soyutu somutu içinde barındıran bu gerçeklik herkesin gereksinimine göre varlık kazanmaktadır. Güneş sisteminin, dünyanın ve insanın oluşumu, nasıl yaşanılacağını her toplum kendi seviyesi ve gereksinimince ifade ederek dil ve onun göstergesi olan sanata yansıtarak yaşamaktadır. Mitoloji, M.Ö. 3000li yıllarda, günümüzde ölü dil olan Sümerlerde yazılmıştır. Anadoluda 2800 yıl önce Hesiodosun yazdığı kitap günümüze değin gelmiştir. Tanrı olmalı ve o Tanrı yaşantımızın içinde olmalı inancı, pagan dönem denilen doğadaki olayları ve varlıklara bir güç atfetme ile o gücü kavramsallaştırıp varlığın dışına konumlandırma, semavi din olarak kurumsallaştırma insanlık inanç sürecinin doğada ve insan zihnindeki yansımasıdır. Anadolu insanı kendi duygusu ve sezgisi ile bu varlığa can veren bir gücün olduğunu idrak etmiş ve ona tanrı dio-div adını vurmuş, onu sevmiş kendini ona adamıştır. Bu inanç ve adlandırma köleci ve köle olmayan, ekmeğini eşiyle birlikte; hayvanları, ağaçları ile topraktan çıkartan Anadolu insanının eyleminin dilidir. Gılgamış Destanı içinde Dumuzzinin anlatıldığı mitolojide çobanlıktan tarımcılığa geçiş evresindeki eylemler anlatılırken kişilere güçlerine ve oluşturdukları üstünlük-yararlılık sırasına göre tanrı karakteri kazandırıldığı, Yunan Mitolojisindeki Dionysos da tanrı olarak benzer fonksiyondadır. Araştırıldığında her ikisinin de altında yaratıcı enerjinin dışa yansıması ve bu yansımanın farklı toplumlardaki kültürel yansıma olarak okunmaktadır. Günümüz inanç dünyasında, oluşan din kurumları kanalıyla veya bireysel olarak yaratıcı arama süreci devam etmekte ve her dinin bir tanrısı olduğu bu bağlamda bireylerin toplumsal inançlarının şekillendiği ve kontrol altında tutulduğu gözükmektedir. Amacımız, düşüncenin yaratıcı güç olarak özde birliğini yaşamda çeşitliliğini göstermektir.

Article Details

Living Dionysus Antep Bacchus

Authors:

Ahmet Beyazlar

Publisher:

Gaziantep University

Main Topics:

Arkeoloji Bilimi

Journal:

Gaziantep Üniversitesi Ayıntab Araştırmaları Dergisi Vol.8 Issue 1, pp.1-22

Document Type:

Article

Publication Date:

6/2025

Document Language:

Turkish

Document ID (Org No.):

2001339314

pISSN:

2667-6257

Dionysus

Bacchus

Dumuzzi

Mythology

GodDionysos

Bakhüs

Dumuzzi

Mitoloji

Tanrı

Issues

Article Details

Authors: Ahmet Beyazlar

Publisher: Gaziantep University

Main Topics: Arkeoloji Bilimi

Journal: Gaziantep Üniversitesi Ayıntab Araştırmaları Dergisi Vol.8 Issue 1, pp.1-22

Document Type: Article

Publication Date: 6/2025

Document Language: Turkish

Document ID (Org No.): 2001339314

pISSN: 2667-6257

Issues

Authors:

Ahmet Beyazlar

Publisher:

Gaziantep University

Main Topics:

Arkeoloji Bilimi

Journal:

Gaziantep Üniversitesi Ayıntab Araştırmaları Dergisi Vol.8 Issue 1, pp.1-22

Document Type:

Article

Publication Date:

6/2025

Document Language:

Turkish

Document ID (Org No.):

2001339314

pISSN:

2667-6257